A dance tune that has taken the Midwest by storm has the full endorsement of Washington politicians who have been Biden their time for this musical comedy.

Written by a relatively unknown fiddler in Wisconsin, it has up to now been performed in Madison and St.Paul. The melody starts with a very fast arpeggio which quickly settles in for a downward movement from the right side of the fingerboard to the left (high notes to increasingly low ones)

Accompaniment in the score recommends counter melodies to be played on the bass buffoon with introduction of the passage by left hand pizzicato on the 2 ½ bass. Oddly enough, it was first performed in a closed pizza parlor in Northern Minnesota during a medical theater production in 2020. It was so controversial that the government ordered the restaurant closed along with every restaurant in the state.

Immediately, in support of the closings, the neighboring state of Wisconsin also closed public dining. It caused quite a stir among the populace. There were fines enforced by an attorney general who’s religion forbids the consumption of alcoholic drinks. It was in the first act of the medical theater which began in Washington D.C.

The dance continues to this day and the dancers are soon to leave the stage for ignominy with bad reviews.

It seems that these political satraps are also stirring the ire of the populace that are refusing the continuation of the influence of inept back peddling of the accompanying dancers.

Near the end of the comedy (which really wasn’t funny at all) the main dancers attempted to dance backwards to begin the dance again. The audiences at these nationwide productions began booing and even throwing things at the dancers. The debris began to build and not a few of the performers began to trip and go completely off script in attempting to save the performances.

It did not go well for those shows. They complained that the awkwardness’ and disgust generated were just false impressions of this comic opera. Trumped up and not noteworthy.

History has a way of repeating bad productions which are still seen on the world’s stage today. This reviewer advises to be diligent and read the scores of these dances. Variations of the parody (which began as a musical comedy) have been taken seriously by bad dancers who still believe in awkward, dangerous and foolish moves. There can be consequences to keep buying tickets to these operas. Read the sheet music and know the score.

It’s pretty good to do so. Jack Gator