art

Work at It’s Best

/ Norman Eric Peterson / 1 Comment

“The world is a work-in-progress, and we are partners with God in it’s ongoing creation”

Meister Eckhart 13th Century Mystic

When I meet a person, fairly alone at an ‘event’ of artwork, I like to ask questions of them. Way too many times I begin by talking about myself. That’s boring and being a boor to think right out of the box that it’s all about me. Why do I do that? Life is art and I like the praise of a nice arpeggio or a quick cartoon in pencil.

Both of them with a smudge stick to make it look real and with the shadows I put in there. Now, I like to discover with delight and astonishment of a Mondrian in the works, painting a tag on a building or Another Emily Dickinson wordsmith in the rough, ready to take a nine iron pencil and land the whole thing in the cup. It’s spirit excitement and good food to give them an auditory nod of my head. Hand grasping not clapping.

I write things like this one and I never know what I am doing, or how it comes about. Just get in there and paddle and the rapids will come and you will know then what to do.

Many things can be taught but poetry, prose, music and dance are beyond training. There are all sorts of helps but listening to the Spirit telling us what is around the corner of the canvas is the best.

I learned how to touch type when I was listening to Morse code, so typing is my springboard to launch. It helps to have word correction of spelling or weasel words. Fun in a weird way to type a half sentence and discover my fingers are not on home plate! Yjsy vsm nr gim mpe smf yjrm after I really nail it in my mind and then look up at the screen.

If you get a tingle and a smile from your muse, go for it! Look at everything with wonder and grasp the light fantastic which appears right in front of you. Julie and I saw a dancer at a Christmas event at a big church years ago. All the live animals and central casting and stylists were on board that night. It was posh, it was pretty OK and way up in front, a girl unfolded in a dance. Julie and I gasped at the revelation and union of spirit and flesh. It was worth the whole trip and is still a vivid memory.

The entire universe shows itself in a Monarch cocoon, ringed with royal gold and filled with beauty and rebirth. We look for those things and they usually find us instead. We join the Balinese in saying “We have no art. Everything we do is art”

It’s pretty good. Norm / Jack Many thanks to Frederic and Mary Ann Brusat for inspiration.

In the garden of eatin’ here at home.

Motorcycle Pilgrimage chapter 4

/ Norman Eric Peterson / Leave a comment




Bruce left a week or so after we arrived in Berkeley. He had enough adventure after our ride out. I am not certain how he got back. He stayed over in town at Earl Crabb’s (Humbeads Map of the world creator) place for a while and in Hollywood at John Braheny’s. After that, we lost touch. I stayed on at the mansion on Shasta Road in Berkeley.

I got a good job at the local art theater as a projectionist. We showed odd films like ‘The Apu Trilogy’ and it was fun. I knew carbon Arc’s as that was what we used on our ships to signal night or day. They were bigger than the movie projectors. Bright.

I Showed a picture about a crazed sniper that had a scene where he was shooting a movie projectionist just as he was peeking through a small window to see the next switchover to the second projector. It’s old tech. There are small white dots in the upper frame of the movie, on the third dot I would pull the lever to turn one on and the other one off. In the movie, the sniper was drawing his bead at that changeover time. Exactly. I started crouching down and getting weirded out. Post production staff humor.

    I had to clean up all the popcorn boxes after the show and it took a toll on my back. I was most in a front bend from all the riding and bouncing about as well. I got some doctoring and workman’s comp for a while. I had to lie on a window seat bench at the mansion until Charlie moved out. I got his room and things were doing OK. An interesting German pilot was in another room down the hall and he had a fireplace.

    There were other tenants. An English professor that taught at the college and an odd girl that had emotional fits now and then. She would throw herself down the stairway on occasion and sob at the bottom. I went over and held her until she calmed down once or twice. I knew what she needed as I can be like that. Self esteem and frustration in communication for sure. The other tenements were lase and used to it. I was used to the feeling from childhood. I am worthless, unloved.

    The owners were overseas acquiring art work of some sort and life there was working out for me. It seemed to fit as I was another art fixture in the house as were we all. Musicians, Professors, An ex Fighter pilot from WWII and the like. Nice place, fireplaces everywhere and you could see the San Francisco bay from the western windows. 5 Million dollars plus even then. Rent was affordable!

    I fell in with a crowd of Jaguar owners at the local coffee shop (Mr. Peets first one on the Northside) and they, of course, were as crazy as the rest of the Bay Area people were. Janis Joplin, Big Brother and the holding company, Grace Slick and Jimi Hendrix. Sly stone was somehow connected with the fighter pilot.

    It was gloriously crazy in 1968 and I was finally where I wanted to be. Living with people that were on the same path of Timothy Leary’s dreams of “Smash your brains, Crack Em’” LSD, pot and other drugs flowed down Lombard street to Haight Ashbury and then across the bay bridge to Berkeley. Mario Stavio and the free speech movement and my new friend that played Boogie Woogie piano, crazy Mike. A Chinese Jag mechanic in the mix and I fit right in with my Martin D-28.

    Joan Baez played a parlor Martin and she was . Bob Zimmerman was still back in Minneapolis at the 10 o’clock scholar getting warmed up for world fame. It was pretty good.

    One night, crazy mike had us jumping with his piano. It was an upstairs apartment and there came a knock on his door. It was the police. They told him after 10 he had to stop making ‘noise’ as the neighborhood was not on board with bold rhythm. Oscar Peterson stuff with swing extraordinary skill.

    The next night, at precisely ten o’clock, mike blasted out the window with a big battery bullhorn. “You may have noticed that I have stopped playing” He did and we loved it.

    Joan Baez played a parlor Martin and she was the musical ballerina of folk. Bob Zimmerman (Dylan) was still back in Minneapolis at the 10 o’clock scholar getting warmed up for world fame with Joan and other class acts. They all had National Enquirer possibilities but Rolling Stone was rolling of off the press along with Mad Magazine. Hipsters and hucksters abounded in the bay area and I got entwined with Sly Stone after a little more adventure. Any musician that was riding the surf roaring under the golden gate was there.

    Music was on the move in the bay area and we were riding that wave. We thought we were pretty neat and inside the sine wave of progress and coolness. Rebels with a cause. Obnoxious with charisma.

    It was pretty good. Jack Gator Scribe

    photo of Bruce Berglund and his guitar.

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    Motorcycle Pilgrimage chapter 3

    / Norman Eric Peterson / Leave a comment

    .. After the dust- bowl town with the Angel and the woodruff key, we were on Route 66 and westward bound. Gas was cheap back then our slim wallets still had enough to get to ‘the city’ in California.

    The bar up ahead looked promising after all that desert in Nevada. It appeared to have just been dropped into place. A small parking lot with two cars, one of them with California plates. There was literally, nothing visible from horizon to horizon. Just the endless highway. A few dust devils and actual sagebrush.

    Out of the saddles and into the bar we strode, awkwardly as riding can do things to your body that doesn’t relate to standing and walking. It’s just the odd feeling from all that vibration that your hands are on opposite arms. Weird. Akin to my illusions at sea when land would not be visible. After a few weeks in the ‘middle’ if the ocean, it seems the ship is standing still and the water is flowing by!

    Any way, most motorcycle riders get the upside down hands thing after 100 miles or so, no one talks about it. Our bikes were a little rougher on the road than today’s huge highway cruisers. Bruce’s BMW was a little smoother than the Indian Tomahawk/Enfield. I shudder even now thinking how it would have been on the 600cc Matchless single.

    So after we shook off the muscle memories and went in, the bar had two women patrons and the barkeep. The two women were older and looked at those two young men like coyotes gazing upon a nice jack rabbit nearby. Smiles and almost instantly, an offer to cool down with a few cold ones. ‘Sure’! After a few (the women were drinking hard stuff) it was revealed that one of them was a California Senator and the other woman was the Senator’s aide.

    Betty Fiorina was the Senators name, I never forgot it. It pops up now and then in the news and in my mind.

    Lots of laughs and some mild flirtation ensued and it was time for the gals to hop into their Buick convertible and us to kick start the bikes and weave down the highway. Blood alcohol content, who cares? Not a car in sight and road hazards were an occasional sign and a few lizards or ruckchucks. 1. If you noticed, motorcycles now do not have kick starters. You have seen them in movies where you heave your body up in the saddle and push hard on the way down onto a pedal on the right side of the machine. It usually started on one kick.

    Class act meets Brando and Lee Marvin and no one knew what to do except drink and laugh. Much later, a decade or two, I caught a name on some senate bill and it’s the same last name of the Senator they met. Family business. There was a photo and she looked very trim and self assured. Splitting image of mom.

    Onward to Northern California and the back entrance to Berkeley on Shasta Road. Bruce was confident, I was just stunned. The place we wheeled up to had several chimneys, a tile roof and a pretty good view of the San Francisco bay . More class and style than either of us had ever experienced.

    An old friend of Bruce’s, Charlie Jirousek, lived there with about six other people. He was a luthier and built guitars out of Brazilian Rosewood. So he was broke too. He also had a massive Malamute, North, that shed hair at a bodacious rate. A month later, Charlie covered the C.F. Martin logo on the tuning head with one of his, a mother of pearl arrow. His guitar business was called ‘Arrowhead’ I was concerned that even at this time, the Martin logo would encourage theft. It works. To this day musicians that hear of play it remark on it’s tone and beauty. “what is it?” I tell them to look inside the sound hole. Martin D-28.

    Charlie had a big sack full of the hair and stated someday he would make a shirt out of it. 4 decades went by until the shirt appeared. It had an odd smell and dogs seemed attracted to Charlie. So The three of them spent a lot of time around the main living room fireplace playing guitars and eating peanut butter from Charlie’s jar. A half gallon jar. White bread used now and then. It was enjoyable for me to meet another person as pleasant and eccentric as we were.

    To this day, I still enjoy a peanut butter sandwich with heavy butter on both slabs of bread. Add the thick crunchy style peanut butter. Those sandwich’s were free and the music was excellent and heart felt. A lot of joy around that fireplace.

    We all knew what our lives were like as we played the same music. Leadbelly, Blind Blake, Willy McDowell. It’s called country blues music. There was one tune, Old Country Rock that just hit the spot. We played it a lot. It was pretty good. Norman Peterson / Jack Gator

    1. Ruckchuck . An animal nearby in the weeds that makes a lot of noise. Scared away by an aluminum cooking pot swinging in front of our headlamps.

    Who are you? Why are We Here?

    / Norman Eric Peterson / Leave a comment

    There is a common feeling and conversational platitude. When asked where did you grow up, we usually respond with the name of a city or region of the world. Appearing to be clever or witty some of us will say “in a house” but where when the slight smile goes with the second question, the answer is a nice neighborhood. A sheen of ‘normality’ and wit to deflect focus from ourselves.

    Some of us grew up in homes that were destroyed physically or internally. Our childhood is not just a growing up like a house plant. We are awake and like the potters clay, are formed into someone unique and beautiful as our creator meant us to be.

    Our world is filled with people that grow like trees, all of us have a heritage of leaves and branches and roots that grab a hold. We are meant to grow near streams of living water and our roots then go deep and we grow strong. That image has been written about and sung.

    Images of buck thorn also come to mind and the pain of touching one of those is not forgotten. What happened to creation and why was it there? We want to cut it down. I don’t like them and it seems they don’t like me either. It is then that judgment on many grow. I think of the superintend”of a dormitory that Anne of Green Gables lived at when she was in college. Anne described her as ‘prickly as a cactus” Katherine Brook. She was portrayed as that.

    A potter can throw clay on the wheel and when it is fired and glazed it becomes a work of the hands. “The colors are off” A painting of beauty seen before the first brush stroke comes forth framed and a thorny one remarks that there is a smudge on the corner. Written poetry is put on paper and given to another. “Oh, I really like that image of the withered branch!” But a critic notices a spelling mistake or a missing comma. Love within trapped by our own thorns.

    A tree that has weathered storms can be gnarly or even destroyed. The work of the potters hand can be broken and written poetry can turn to ashes. Chainsaws, anger and indifference are the tools wielded by the thorny ones. I use a chainsaw by the way, a small one to cut down prickly ash and buckthorn. No one likes those except Goats who eat them.

    The question for me and you is, am I a buck thorn among the grove? Do I find fault instead of the poetry of creation? Do I listen and see the light? There are many things that can change us into grapevines that tear down the trees. We have our excuses, some dredged up by a therapist we did not know was an operating system in our hypothalamus! I was told I had 6 tenths of a second to differentiate between a threat or an old memory. It took a while to deal with that but it is possible.

    A hand gesture like a pointed finger, a tone of voice spoken what seems harsh. Triggers that instantly made me run away, to get away. To leave that danger by the small boy that still lives inside. PTSD from experiences recent or long past. All the same fear and loss.

    As children we are much more aware of our world than we know. We draw conclusions about our world, nurtured or abandoned. Abused or cuddled. Fully alive, taking it all in and processing to make sense of where we are and who we are.

    I think of John the Baptist and Jesus in their mothers wombs. Joyful at meeting one another before they were born. Why is that in the Bible? Tender words, gentle voices that guide us. We know who is our mother. It feels so good and perfect when a very new person responds to our smile and soft words. “Be like children” good idea, the best advice given by the One who made us. Again, Anne of Green Gables, a kindred spirit like two tuning forks ringing together.

    Just close your eyes and think what it will be like when Jesus opens His arms and smiles as He embraces us. In His presence, all fear is gone. Eternity, is calling me away, eternal song is calling me home. It’s still there in our spirit, the wish to be seen and wholly loved. It’s me, the prodigal son. I see my Father running towards me. My tears he holds in His heart and He cries them over me as we embrace. Eternities, eternal song, is calling me; calling me away, calling me home. It’s pretty good. Jack Gator Scribe

    thanks to Misty Edwards for her song Eternity