There I was, running Camera 1, mounted high at Front of House control booth. Trying to ‘shoot’ what my director had told me to point to on the stage below. It’s a big room with often close to 2000 people seated. A dynamic presentation of the worship music is the goal and the camera shots of the electric guitar both far and near with energy, the drummer building a crescendo of many strikes on the tom toms, snare and cymbals visible to camera 5, a hand held camera.
Cross shots of engaged singers and a little energetic dance from the bass player also convey worship with energy. Somehow, the keys players are sort of hidden in the shadows. I would like the cameras to get close enough a shot to show the keys and the hands of music. It doesn’t happen very often but makes a clean and beautiful statement if it can be done. Lighting is an issue back there in the semi-shadows.
A constant stream of instructions comes over our ‘coms’ which just have one earpiece on the right side. “Look here, move there, pull back wide and get several singers”. You get the idea.

The room is dark except for the lights which can surprise you with a lens flare. I like them, most camera people do. We had five cameras to work with, the bigger ‘campus’ has 9 or 10.
I remember vividly the best shot I found. Near the close of the music, one of the singers stepped forward to her mic and as scheduled, prayed for what was on her heart for the room and anyone watching the screens in other parts of the church. In this case, there are two screens above the main stage too. We were ending the shoot and I swung my camera to the left and there, in the shadows was the worship leader, head bowed and hands clasped as we could hear the prayer. Almost invisible. I pushed my lens as much as it could go and just watched.
I saw a renaissance painting. A Rembrandt of shadow and fabric, capturing a moment of life that was perfect, stunning and humble. My director did not see it nor order the shade control to open my iris. It was just for me to see. A fiery sunset with all the pathos and humanity visible.
I never will forget that picture and it lingers with all the others. Orion as I walk out to our car on a winter morning. A sudden meteor streak through my windshield. You have them stored away too. A high splash of storm surf suspended in an oriental impressionist painting.
What a gift to see these things and realize they are timeless paintings for our miracle eyes. Ours alone to gasp and smile at. It’s pretty good,
Norman Peterson / Jack Gator with thanks to Sony for the camera photo








