On through the midwest, avoiding Chicago. Touring to and fro. Coffee houses, clubs and university auditoriums with basketball courts.
Broken strings and lost flat picks. Hangnails from metal fingerpicks. Tuning in bathrooms.
Sweet harmonies with one another, appearing polished at the next gig. Rough working mens songs, love missed and lost, broken people and police cold metal racks and bars.
Canning workers in the far North West coast. Looking for women that a laborer can afford.
Poetry with country blues chords and the twang of a Dobro and Banjo dueling with one another as I tried to keep up with improvised keys and balky capos. Beautiful and these things understood by others that have travelled the D’ Adario paths. Poetry and country blues.
Sleeping on or in whatever was given. Green rooms with running water for the toilet and the good ones that had sinks. Now and then a real green room in the nicer venues.
Meals from the college cafes or with the student cafeteria on metal trays. Road food late at night on the highway to the next gig. Hot dogs on eternal greasy heated rollers and nicely wrapped things. Molten lava coffee or southern pop. Sweets that are in boxes of ten and small ones
aren’t on display. We didn’t need them either, they were icky and sticky and stale to boot.
Stopped by the highway patrol wary as they walked with unfastened pistol straps, out of state plates and a car full of musicians. Bright Mag lites through the windows on our sleepy faces.
Wallets with drivers licenses and enough cash to make it to the gas station and on to the next lucky town, waiting with baited breath for their music and stories.
Adventure, the time of our lives when that siren call pulls us to the Ionian sea for the horizon and it’s promise of interesting people and revelation of meaning to our lives.
I miss it or reminisce it as my left finger callouses fall away and I sit in my comfy living room chair. Praying for many things over my horizon that reveal real joy and eternal life. Life with listening and hearing. Harmonies from heaven this time. It’s pretty good. Norm/Jack
We have all seen the signs at church’s on our drives. Worship at 10. What is that really? How can a church service be also called worship? It would that worship is the most important thing to be conveyed to people driving by, looking for a convenient time to pop in. We know there is teaching or a sermon of some kind. Is that worship? Or is worship singing, music of some kind! Pianos or an organ played by the professional keyboardists?
Memories of a pastor up on the stage, waving his arms, conducting the off key choir of my sister and myself. There, on the solid-tombstone-like sign out by the road, is an announcement of Sunday school. The memories of stiff, starchy shirts and one-day a week shiny black shoes and a suit coat also worn once a week.
Children’s thoughts of school on one of only two days off from ‘regular school’ Incomprehensible words and recitation of forgotten things we were supposed to study quickly on Saturday evening so we looked and sounded perfect. The old flannel graph with cloth cutouts of sheep, shepherds, and Goliath. I did not enjoy Sundays when I was very young.
It was Usually hot in summer and winter and in a basement room with other kids, rolling their eyes at the teacher when she wasn’t looking. The bright side was dinner out at Hart’s with the baked chicken that my Grandpa liked too! The chicken was worth the trip. My only excuse these days for not having a grip on what was being poured into me was the rule we had to be in Sunday school until we were 21. Then we were welcomed into the main church building on the other side of the parking lot.
Now I see what I had not seen in my childhood. Beauty and sermons that take your breath away with the truth of them. The music has the same words. Now with Electric guitars., drums and sound systems that actually work. There is good coffee in the lobby and our friends are there too. There is an eagerness to be with people to experience the Lord and His words. Love letters, scripture. I sing the notes I hear, always have heard. Sometimes I sing Harmonies which can puzzle nearby worshipers. I can tell and so I get back onto the main octave and notes. It’s fun for me to sing loud because the music is loud too.
Not long ago I was joined to a Christ centered music team that sang love songs to the Lord. We traveled a lot and sang at many houses of prayer in Minnesota and Wisconsin. We even had the grace given to sing at Times Square Church in New York City. There was no one else in there but the janitor who let us in. I like to impress people when I mention that event till it comes down to the empty church bit. None of them are empty though are they?
That music starts a life of its own and a path opens up. And so goes the romance of all loves. The love that lasts. The sound of the best sunset you can ever remember. A realization that nothing else even comes near.
How it feels to touch the heart of eternity. Waiting with hushed voices at times, glancing side to side to see that Man that is there. The Man with fire in His eyes. Musicians and scholars seeing for the first time the bridegroom. The singers sing and the scholars dig into old languages, seeking the reason for this romance. The focus. The looking glass of a telescope fixed on light that is impossibly old.
On our side of eternity it seems like the flame on a guttering candle. No one can see what you can see, no one can sing what you can sing. There is no one like Him so open up your eyes and see. Getting to the place where our souls can rest while the fires are banked and steam is rising. A sharp intake of breath. Astonishment and once again time starts anew. The worship, akin to David’s worship in the wilderness or the 40 years of Israel in the desert.
Quite a few times at the end of a session of several hours there is hushed singing with no instruments. The team can hear others from the room also softly singing. They finally stop and there is a feeling that comes to that you can’t lie down and you can’t stand. Absolute silence in the room that is radiating Jesus’s presence. Stunning joy with some tears. People are baptized with John’s water and the Word must be baptized with fire to go into our hearts. A blazing bush drew Moses and a blazing church will draw the world. Music and the truth of scripture are the kindling and you are the fuel that responds to the flames of love coming forth.
“Every poet and musician and artist, except for Grace, is drawn away from the love of the thing he tells, to the love of the telling till, down in Deep Hell, they cannot be interested in God at all but only in what they say about Him.” a.
There was young Norm, I was moving through my life as though it was a normal one. I am a high functioning Asperger’s child and did not trust anyone with my love. No one. There was a secret place in me that is a go to place when my life feels scary and in need of protection. I found that comfort in various ways. I have body moves grounding me in a way with a touch on a silk blanket or just zoning out with movement patterns. A little sniffing on the back of my hand. You have seen the movie The Accountant. The main actor was affirming to me with his portrayal of a a survivor of Autism.
I made up stories and submerged myself in music. Still do. I learned piano early on, then guitar over in Italy. I graduated to mandolin and violin/viola later on with country western and square dance bands. That worked for a while until I was almost 70. By then, the made up stories were real ones and music was my dream world. Listening and playing.
Recently, I began writing about my life and observations of astounding events that only be classed as theologically overwhelming and usually joyful. I recently got some good advice on writing. “Try to be original and you will not succeed. Write your heart as best you can and you will be original” I got that advice in a dream as I sat at the feet on Earnest Hemingway as a boy. I’m sure someone else has been quoted but the dream worked for me.
I began writing day by day and I filled up a journal once a year. There is a stack of them on my desk shelf. I began reading them and saw all the stories and many people began to say to me; “you ought to write a book. I like your stories and the way you tell them” As a known raconteur, I told stories all the time. Writing them down helps me to remember them!
I had the nickname of Mr. Gator from a photo I put into the local paper. They needed one for an article on a fiddle contest I was judging. The picture was a little alligator rocking on his tail, playing a fiddle. It stuck, I even had Mr gator license plates too. Decades later, a close friend, Jessie, drew a picture for me of an alligator resting with a fishing pole and I use that as a header now and then. He said it was something he sketched out the night before. I was stunned with his talent and friendship. He also is a writer of action stories with gold coins and thieves and murder. (I can’t wait for the next chapter!)
After Jessie gave me the drawing we decided that the Gator needed a first name if I was going to write with that name as a byline. Jack Dempsy, Jack Ryan, Jack Clancy and C.S. Lewis’ nickname, Jack. It stuck. Masculine with punch.
I began publishing these stories at a local newspaper once a week as the editor liked them a lot. I give a lot of credit to Jesus in most of them and that was OK for a while but the new manager was uneasy with that. After 4 years of writing one a week I had well over 300 columns stored away on several drives. I resigned with grace and dignity from that paper. They deserved it. I still write for a great newspaper in Ashland, Wisconsin. The bottom Line News and Views.
Again, “You ought to write a book.” I already have written a book, I just need to jump in the water and get it published. Of course then, I have to mention my book in conversations and carry several of them in my briefcase to sell. Easy sell if someone says they would be interested in reading it. And paying for it.
Meanwhile, I keep writing and publishing on my web site. Gatorsgracenotes.com No ads of any kind was my decision. I don’t like pop ups and no one I know likes them either. That money stream is out of the equation. The grace note thing is a double entendre. It’s a very fast note or notes played that are too rapid to write down on a score. And Grace is what Jesus gives me time and again.
I have faith that it will all work out. Faith, it’s the very gift of God.
They are almost invisible, very much so on a web stream broadcast. They move about, trailing thick expensive cables back and forth in their wakes. Appearing to be special force units with communication gear attached to their heads. Obviously someone is telling them what to do and where to go, but what is it they are doing? There are more of them than you can easily see.
Before the service there is a ‘huddle’ at ‘front of house’ (control booth in the sanctuary that controls sound and lights) We gather and share, musicians and techs to solidify and encourage one another. Of course, there is prayer from the worship band leader. It is a very important bonding for those who do their best at presenting Jesus Christ in song to the audience. It is not an opera or a performance. It is a privilege to do so. There is pay for some that work 5 days or so a week setting and rehearsing it all. The camera operators and some techs are volunteers. The best pay for all of us is His presence.
Trolley cameras run on tracks and do those smooth side to side shots just above the audience view. It really helps those watching engage in the worship. There are separate grips at the ends of the track to stop it and push it. That grip job is an excellent class on momentum and velocity. Hand held (often on one’s shoulder) move around and can catch momentary shots of the musicians or their instruments. The director instructs operators where to look, sometimes at the audience that are engaging and worshiping.
Big ‘Jib’ cameras with large booms and complex controls do those impossible flying shots but can focus closely on a keyboard. Those cameras have ‘fences’ around them to prevent people from being hit by the wide range of movement by the operator. Complex camera operation.
Tripod cameras are elevated on platforms and are a real asset too. Sometimes there are remote cameras that are run with a joystick by the director or switcher. They can zoom in and out and swivel. It’s all a’ bit more complex’ compared to the usual cameras we use in our cell phones. It is always distracting when people hold their cell phones up to capture a performance. I wonder if they are really engaged with what is going on before them. A small 8 millimeter would not be quite so intrusive but of course, as a technical dinosaur I have opinions on progress and regress.
Leave video tasks up to the men in black. They have time afterwards to be moved by the totality of the production. A review in the room of a recent set shows the crew how to improve the experience for the viewers so there is nothing seen or felt besides the worship. Working on video production is a thing that can distract from the reasons they are there in the first place. They help Convey story, and the story of Jesus beauty can often be accompanied by tears and spiritual engagement to the audiences. There are ‘huddles’ before every service at ‘front of house’ (control of sound and lights) In the sanctuary to encourage and bond production teams. Prayer is essential at those times as well. Almost akin to the ready room in the military.
Hand held, Jib, tripods all have their positions and are numbered through the comms everyone has. Those Cameras are heavy and very complex. There is a director in touch with them and exact instructions are given as to what to capture, how close and the next shot to prepare for. It’s a choreographed dance. A lot of training and experience for both sides of the production. There are ‘grips’ that make certain the camera operators do not trip nor step on the fiber optic cables that send the video feed, in the control room there are aperture operators that control iris settings, lyrics panels that are just for the screens to show words. It’s fast and fascinating to listen to. Timing and broadcast (simulcast) adds to the complexity.
As with many technical occupations, there is shorthand and acronyms. ME mixed effects, SHADER is a control panel that adjusts camera aperture, MI, musical interlude, Load the band, CP campus Pastor, PUSH go closer with the camera control. I like ABLETON controlled by the drummer to add a CLICK track to the other musicians which sounds a click in the IEM’s they wear to keep everyone on beat (IEM is an in ear monitor) This is a beginning list and at first sounds like another language which it is.
So many sounds bouncing around that must be accounted for and the volumes are carefully set. There is a handheld unit that measures that as a sound tech walks through the room during rehearsal. ( It’s called an SPL sound level pressure.) It’s all highly technical. The control rooms and electronics remind you of Houston’s launch control for spacecraft. Blinking lights and fast button pushing and many screens for each person. Of course, the only sign of failure is an audience confused and the sound booth failure joke is; An audience looking backwards towards the the booth. They know who is screwing up.
The main reason the camera folks are dressed in black is to not be visible on the video feed. The camera iris is quickly set for different light situations and most of the people on the stage are dressed in lighter colors. The lights show those video shots so they can be seen by the viewers. As a result, black does not bounce back (it absorbs light). You can see them if you look for them but it isn’t a distraction on the whole. The lighting is another job that works with the director.
The audio for broadcast is another technical job. That audio engineer that controls the ‘in house’ experience. You can only imagine the electronics, cabling, simulcast and internet connections to be set up and tested every day. One day events involve semi-trailers of equipment and adds a lot of work to those teams. At many churches, many of the team are volunteers and do not get paid for this work. They do it for the joy and camaraderie.
Another volunteer is a time traveler. The job is to be an assistant to the director. The music rehearsal is listened to a half dozen times before hand and the assistant director charts which instrument, and singers are in a certain part of the music. There are soft sections and loud crescendos. Then all that assistant has to do is tell the director and the camera operators which shot is the best depiction of the musicians. Before it happens. 4 bars beforehand, gives everyone time to literally focus on the next solo or high point (or ending soft or quickly) Stage lighting is a factor as well.
the director tells the camera operators what shot is indeed coming up and also when their shot is being broadcast to the screens in house. All the camera operators and other control people have headsets with microphones to help them be part of the dance. It’s beautiful and often breathtaking when it comes together.
The main campus that broadcasts throughout the world has the most precise and skilled media teams. It’s called ‘simulcast’ and if you watch on-line, that is the music you see.
The director sees all the camera shots on separate screens, selects and instructs movement and image constantly. “One push, ready 1, take 1, Four push right, take 4, Five push cymbals, take 5.” As fast as you can read this. Things speed and slow according to the songs. Verse, pre-chorus-chorus. bridge. The sound pushes up to emphasize the chorus as the room gets intense with singing praise to Jesus.
It’s not manipulation, It’s invisible and correct and if done right, no one watching is aware of the team doing this. It is energy, very much the same thing that broadcast and movie directing use. Tell the story and no one thinks about it that is watching. That is a good as it gets. The director gives a brief “great shot” over the comm line now and then and that is very well received. Augustine stated “teaching is essential, praise is sweetness but persuasion is victory”
There is a lot more to production. It’s fascinating and now you know why the team is called ‘the men in black.’ Not seen but essential. It has nothing to do with agent K and J.
“My own eyes are not enough for me. I will through those of others. Reality, even seen through the eyes of many is not enough. I will see what others have invented…literary experience heals the wound, without undermining the privilege of individuality. In reading great literature I become a thousand men and yet remain myself…I may be full of goodness and good sense but still inhabit a tiny world. If I was content to be only myself, and therefore less of a self, I am in prison.” a.
It’s pretty good, Norm Peterson / Jack Gator
picture courtesy of Bjorn Peterson, my son, at a One Thing Conferencewith a hand held camera.
My back was not so good from my Berkeley projectionist job as I had to also pick up the popcorn boxes under the seats and sweep up too. The earlier three thousand plus miles on the Enfield bike put wear on my lower back facets. A lot of bending working the theater, and my back ‘went out’ A doctor I visited told me to have a lot of bed rest, cold packs and of course, I lost the theater job. I did not know about workman’s comp and the owners were not telling me either.
After I began to heal, I was invited to go on plane rides with a pilot that had a room down the hall in the mansion. We flew into various places and it was a thrill to fly alongside an expert pilot. He flew with the German Luftwaffe in WWII. We flew sideways through Yellowstone once.
He was curious about my extensive radio background and asked me to build a portable radio that is used for ground to air communication and also ground to ground. I was paid good money just to do that in the desert for his smuggling operation. Perfectly safe and harmless marijuana from Mexico. It was almost legal in California and everyone smoked it. Why not?
I got to meet the ground crew on a practice run and they were older and liked to carry around wheel guns. They parked a miles away from the end of an inland landing strip with limited tower presence, and I went up to my designated hill.
A perfect contact to the plane and the ground crew. They didn’t know a thing about communications and just got frustrated and drove back to a rendezvous area. The plane landed spent a short time, did a 180 and roared away. I had an odd feeling about this, and so went out to where the plane made a U turn. The sand was packed and hard and when I puttered up I saw a lot of ‘sea bags’ in the moonlight.
Somehow I buried all of them but two and took those to the rendezvous area. Knocking on the camper door, I got a gun in my face. I proclaimed what I had done and I unloaded the two sea bags. Something illegal for certain. VW beetles are rather scarce in roominess. They do have good traction and that made traction in that sand easier. I made two more trips and the drill was over. “Well done” the pilot said back at the mansion. I wondered what the bags really had inside and was told it was smuggled pot from Mexico! The money man was a famous rock star, Sly Stone who lived right across the bay in San Francisco.
Not too much later, I was really getting used to the money with the pilot and his girlfriend, and whole business. Rent was not an issue and I was wanted as a team member. Just like being useful back on board ship. There was a lot of my back pain and the team got me comfy with a powdery pain reliever. Heroin.
The pilot that paid the rent was very kind to me and the heroin was very pleasant and I liked it, a lot. One day, in my room alone, I was eager for another snort of the powder and heard a clear voice behind me say: “Life or death—choose now” I quickly turned around and there was no one there. The door to the room was still closed. I stared at the pain reliever and remembered how good I felt using it. The pain of all the rejections in my life as well as my current back issue. I no longer lingered on my recent Minneapolis fiance that I met just after discharge that ran off with an actor from the Guthrie and my hard childhood trauma. It was more than pleasant to not be consumed with any pain.
After a short while, it was obvious what the voice meant and I said “life?” My addiction was gone instantly and there was no withdrawal either. Of course it was the Lord saving me for His plan. I bundled up the remaining heroin and took it down the hall to the pilot’s room. “I don’t need this” and the pilot was surprised with an odd expression on his face. Another friend introducing me to drugs. I never searched out those things, they found me. No income and shunned by the pilot and co-pilot (RAF vet)
Obviously, I saw homelessness coming and I bought an old International pickup truck and built a camper in the bed. It was finished and cozy with French doors on the tailgate area and those two rugs I thought I bought from the earlier resident in what was now my room. I slept on the narrow one. Wool Oriental. Class again. There was even a skylight of Plexiglas and windows on the French doors in the back. The couple that I replaced in the mansion lived down in the flats and helped me build the camper. A chop saw, jig saw, some hand tools and a Swiss army knife did the job in short order. Time to get mobile.
After being told to leave the mansion, a new job came into view. Playing guitar in front of the Safeway grocery store in Oakland for while and garnering enough change to buy a can of Dinty Moore beef stew, drive over the bay bridge and park at McClure’s beach. Enough money for Bridge tools and gas too.
Open those French doors, get out the little one burner stove and enjoy an ocean like one I so recently used to be on. I still have a can of it now and then a half century later. Looks and tastes the same. Julie is amazed I would eat the stuff but it IS nutritious and the potatoes stay firm in the sauce.
The chow was OK. Plain but it satisfied. Out of the mansion and into homelessness. Not by choice, but it worked. Sometimes people would put groceries in the open guitar case. A banana or two, things like that.
The smugglers acquaintances found out where my new venue was. They offered me sympathy for the loss of my ‘job’ and said they had a place for me to stay and clean up a in ‘the city’. The tenant was gone for a few weeks and I enjoyed the luxury of a real house. A few days later, there was a knock on the door and I opened it up to a well dressed man with a pistol in my face and a badge to back it up. Just like the movies with cars parked diagonally and other guys in suits next to them.
The official from Federal immigration told me “Hold it right there. He called me by the pilot’s name from the mansion job. After a ‘pleasant’ conversation in the living room, I convinced the government men with the badges that the pilot had left the country with my girl. I was a very controlled angry man and it was a good improvised act and they left. One of the other agents was fiddling with the telephone in the living room. The fellow that that was obviously in charge told him to ‘knock it off’. One of the agents came dashing in the door stating: “It never was red!” I realized they were confused searching for a red truck. My truck was green. I had painted it with a brush under the eucalyptus trees up in Tilden park. It started out primer black. Pretty good job painting an old pickup with a brush. The painting was thorough but thick here and there. Brush was a toss.
The pilot’s truck was in Mexico by then. Later, after all the afternoon excitement, I was interested’ in leaving and looking for a broom to clean up for my unknown host, I found some book sized plastic bags stacked in the closet about waist high. I then knew what was in the sea bags! I grabbed my meager belongings and my guitar and decided to hit the road with my homemade camper. Quickly.
It seemed that I had been set up to make sure disappeared for a while. The shower had hot water and the pressure was good too. But It seemed prudent to leave. The broom went quickly back into the closet and it was time to head back across the bay bridge. Safeway was waiting for my Martin D-28 rosewood guitar. It still has a good tone.
I lived in the camper for a while, and played at the food market. A bully from Oakland approached me as I was playing an old country blues song. He said; “whatcho gonna do if I take dat guitar?” Big guy. With conviction and eye contact, I told that man: “I’ll just fight you for it till one of us dies” After a stare down, the man turned away and said “That’s cool” Oh well, work place harassment. That Martin was the only thing that allowed me to make it for the can of stew, gas, and bridge tolls. Death and taxes. One or the other, nothing new. Bluffing worked in Kansas and I am good at it. Poker face. Actually, I meant it and he saw that in my calm demeanor.
An old friend of Bruce’s found me at the Oakland Safeway sidewalk and he had a big sack of rice with him. Change of menu. He said: “Want to get out of here and go with me to a commune in Oregon?” Sure! We put the bag of rice in the back of the camper and headed off to Eugene.
Another adventure ensued and that was the end of that part of the motorcycle pilgrimage. Off to live with the hippies up north in Eugene. A typical commune of the sixties story. 30 people in one house and with one bathroom. Shortly back to Minneapolis via Omaha. Next stop, West bank. Check out ’40 acres of musicians’ It’s pretty good. Jack Gator
Bruce left a week or so after we arrived in Berkeley. He had enough adventure after our ride out. I am not certain how he got back. He stayed over in town at Earl Crabb’s (Humbeads Map of the world creator) place for a while and in Hollywood at John Braheny’s. After that, we lost touch. I stayed on at the mansion on Shasta Road in Berkeley.
I got a good job at the local art theater as a projectionist. We showed odd films like ‘The Apu Trilogy’ and it was fun. I knew carbon Arc’s as that was what we used on our ships to signal night or day. They were bigger than the movie projectors. Bright.
I Showed a picture about a crazed sniper that had a scene where he was shooting a movie projectionist just as he was peeking through a small window to see the next switchover to the second projector. It’s old tech. There are small white dots in the upper frame of the movie, on the third dot I would pull the lever to turn one on and the other one off. In the movie, the sniper was drawing his bead at that changeover time. Exactly. I started crouching down and getting weirded out. Post production staff humor.
I had to clean up all the popcorn boxes after the show and it took a toll on my back. I was most in a front bend from all the riding and bouncing about as well. I got some doctoring and workman’s comp for a while. I had to lie on a window seat bench at the mansion until Charlie moved out. I got his room and things were doing OK. An interesting German pilot was in another room down the hall and he had a fireplace.
There were other tenants. An English professor that taught at the college and an odd girl that had emotional fits now and then. She would throw herself down the stairway on occasion and sob at the bottom. I went over and held her until she calmed down once or twice. I knew what she needed as I can be like that. Self esteem and frustration in communication for sure. The other tenements were lase and used to it. I was used to the feeling from childhood. I am worthless, unloved.
The owners were overseas acquiring art work of some sort and life there was working out for me. It seemed to fit as I was another art fixture in the house as were we all. Musicians, Professors, An ex Fighter pilot from WWII and the like. Nice place, fireplaces everywhere and you could see the San Francisco bay from the western windows. 5 Million dollars plus even then. Rent was affordable!
I fell in with a crowd of Jaguar owners at the local coffee shop (Mr. Peets first one on the Northside) and they, of course, were as crazy as the rest of the Bay Area people were. Janis Joplin, Big Brother and the holding company, Grace Slick and Jimi Hendrix. Sly stone was somehow connected with the fighter pilot.
It was gloriously crazy in 1968 and I was finally where I wanted to be. Living with people that were on the same path of Timothy Leary’s dreams of “Smash your brains, Crack Em’” LSD, pot and other drugs flowed down Lombard street to Haight Ashbury and then across the bay bridge to Berkeley. Mario Stavio and the free speech movement and my new friend that played Boogie Woogie piano, crazy Mike. A Chinese Jag mechanic in the mix and I fit right in with my Martin D-28.
Joan Baez played a parlor Martin and she was . Bob Zimmerman was still back in Minneapolis at the 10 o’clock scholar getting warmed up for world fame. It was pretty good.
One night, crazy mike had us jumping with his piano. It was an upstairs apartment and there came a knock on his door. It was the police. They told him after 10 he had to stop making ‘noise’ as the neighborhood was not on board with bold rhythm. Oscar Peterson stuff with swing extraordinary skill.
The next night, at precisely ten o’clock, mike blasted out the window with a big battery bullhorn. “You may have noticed that I have stopped playing” He did and we loved it.
Joan Baez played a parlor Martin and she was the musical ballerina of folk. Bob Zimmerman (Dylan) was still back in Minneapolis at the 10 o’clock scholar getting warmed up for world fame with Joan and other class acts. They all had National Enquirer possibilities but Rolling Stone was rolling of off the press along with Mad Magazine. Hipsters and hucksters abounded in the bay area and I got entwined with Sly Stone after a little more adventure. Any musician that was riding the surf roaring under the golden gate was there.
Music was on the move in the bay area and we were riding that wave. We thought we were pretty neat and inside the sine wave of progress and coolness. Rebels with a cause. Obnoxious with charisma.
.. After the dust- bowl town with the Angel and the woodruff key, we were on Route 66 and westward bound. Gas was cheap back then our slim wallets still had enough to get to ‘the city’ in California.
The bar up ahead looked promising after all that desert in Nevada. It appeared to have just been dropped into place. A small parking lot with two cars, one of them with California plates. There was literally, nothing visible from horizon to horizon. Just the endless highway. A few dust devils and actual sagebrush.
Out of the saddles and into the bar we strode, awkwardly as riding can do things to your body that doesn’t relate to standing and walking. It’s just the odd feeling from all that vibration that your hands are on opposite arms. Weird. Akin to my illusions at sea when land would not be visible. After a few weeks in the ‘middle’ if the ocean, it seems the ship is standing still and the water is flowing by!
Any way, most motorcycle riders get the upside down hands thing after 100 miles or so, no one talks about it. Our bikes were a little rougher on the road than today’s huge highway cruisers. Bruce’s BMW was a little smoother than the Indian Tomahawk/Enfield. I shudder even now thinking how it would have been on the 600cc Matchless single.
So after we shook off the muscle memories and went in, the bar had two women patrons and the barkeep. The two women were older and looked at those two young men like coyotes gazing upon a nice jack rabbit nearby. Smiles and almost instantly, an offer to cool down with a few cold ones. ‘Sure’! After a few (the women were drinking hard stuff) it was revealed that one of them was a California Senator and the other woman was the Senator’s aide.
Betty Fiorina was the Senators name, I never forgot it. It pops up now and then in the news and in my mind.
Lots of laughs and some mild flirtation ensued and it was time for the gals to hop into their Buick convertible and us to kick start the bikes and weave down the highway. Blood alcohol content, who cares? Not a car in sight and road hazards were an occasional sign and a few lizards or ruckchucks. 1. If you noticed, motorcycles now do not have kick starters. You have seen them in movies where you heave your body up in the saddle and push hard on the way down onto a pedal on the right side of the machine. It usually started on one kick.
Class act meets Brando and Lee Marvin and no one knew what to do except drink and laugh. Much later, a decade or two, I caught a name on some senate bill and it’s the same last name of the Senator they met. Family business. There was a photo and she looked very trim and self assured. Splitting image of mom.
Onward to Northern California and the back entrance to Berkeley on Shasta Road. Bruce was confident, I was just stunned. The place we wheeled up to had several chimneys, a tile roof and a pretty good view of the San Francisco bay . More class and style than either of us had ever experienced.
An old friend of Bruce’s, Charlie Jirousek, lived there with about six other people. He was a luthier and built guitars out of Brazilian Rosewood. So he was broke too. He also had a massive Malamute, North, that shed hair at a bodacious rate. A month later, Charlie covered the C.F. Martin logo on the tuning head with one of his, a mother of pearl arrow. His guitar business was called ‘Arrowhead’ I was concerned that even at this time, the Martin logo would encourage theft. It works. To this day musicians that hear of play it remark on it’s tone and beauty. “what is it?” I tell them to look inside the sound hole. Martin D-28.
Charlie had a big sack full of the hair and stated someday he would make a shirt out of it. 4 decades went by until the shirt appeared. It had an odd smell and dogs seemed attracted to Charlie. So The three of them spent a lot of time around the main living room fireplace playing guitars and eating peanut butter from Charlie’s jar. A half gallon jar. White bread used now and then. It was enjoyable for me to meet another person as pleasant and eccentric as we were.
To this day, I still enjoy a peanut butter sandwich with heavy butter on both slabs of bread. Add the thick crunchy style peanut butter. Those sandwich’s were free and the music was excellent and heart felt. A lot of joy around that fireplace.
We all knew what our lives were like as we played the same music. Leadbelly, Blind Blake, Willy McDowell. It’s called country blues music. There was one tune, Old Country Rock that just hit the spot. We played it a lot. It was pretty good. Norman Peterson / Jack Gator
1. Ruckchuck . An animal nearby in the weeds that makes a lot of noise. Scared away by an aluminum cooking pot swinging in front of our headlamps.
As it is, so shall it always be. Music, an indescribable and fleeting thing. The string is plucked, the drum resonates, the bowed instrument plays one note that blesses the fleeting sound. One second it is there. An eternal second, there is no time involved and the resonance goes into eternity and the joy flows abounding within the players and listeners.
There are many things that liken to music, draftsmanship or painting the light. Again, the romance of the stunning scene to the love of creating the painting. Both the musician and the painter are vulnerable to elevation of self. We do not realize the breaking of our admiration of our talents and contributing one or two notes or a splash of sienna releases real joy and appreciative laughter of the hearing and seeing the Master of all of it.
Images of musicians with the anticipated music played on perfect instruments abound. Especially for ones that have felt the joy and dance with a word sung or a set of notes played. An image from Lewis: “If one could just read the score of that heavenly music, they would never be ill nor grow old.”
So many years, so many bands and sitting in with other bands. I was consumed with applause. For me. A brief smile from a waltzing couple as they swirled past the stage as I played Faded Love is still remembered. The pride of even placing in a fiddle contest would make me proud. Of myself. I am not as fast these days (As I edit this I am 80 years old) and actually, that helps. There were so many instrumentalists in my life and the attaining of blazing speed with difficult passages was the goal and passion of so many. Just listen to bluegrass sometime. The song is over before you can even remember the words. Nice music, don’t misinterpret my words here. Nice music and really nice people play bluegrass. There were, unfortunately, some artists that would overplay and smirk at my waltz’ or jazz. That is OK now, I know who was guiding my music in that instantaneous beauty.
Emulating Bob Wills and his stunningly beautiful waltz’ was my goal. I tried the classic Orange Blossom Special when playing the bar circuit. I would not play it until the third set when the patrons were drunk enough to enjoy my fiddling of that song. I did OK with it, even the double stop slides, but it was not brilliant as the original. Still, it brought hoops and yells and that satisfied my need of acceptance.
I went to playing in the church..not A church, but THE church was my now my wish. A little mandolin to fill in the missing notes that I hear in spirit. The mandolin is referred to as the violin’s ‘walking stick’. (The tuning is the same as the violin) my last worship leader mentioned when the really high notes of vibrato ring out, it made him laugh inside. Good description of joy in worship.
Third position on the mandolin is a LOT easier than on the fiddle. It has frets. Those incredible stratospheric violin passages are pretty swell if your fingers are doing OK and you spend every day in the practice room. Playing Since a person was young child helps. I am in awe and joy when I hear those players. I wonder what they are thinking and feeling during those concertos.
So I needed applause to feel wanted and accepted. Now there is joy in worship heard or played when everything makes a brief tapestry of beauty. Offered to Jesus with love and adoration. It’s the only thing that goes to another plane of experience for me now.
As it is, so shall it always be. Music, an indescribable and fleeting thing. The string is plucked, the drum resonates, the bowed instrument plays one note that blesses the fleeting sound. One second it is there. An eternal second, there is no time involved and the resonance goes into eternity and the joy flows abounding within the players and listeners. Nevertheless, beware!
” Every poet, musician and artist, but for grace, are drawn away from the love of the thing he tells, to love of the telling, till, down in deep hell, they cannot be interested in God at all, but only what they say about Him” C.S. Lewis, The Great Divorce
Applause reflects how others in the room feel that too. It’s heart felt. The thing is, that I now know they are really applauding the beauty revealed of Jesus, the creator of worship music hearts and all things. It’s pretty good. Playing or listening, it’s all the same thrill of eternal music on that sea of flaming glass.
We were blessed indeed by grace to avoid the love of the telling when my family worshiped for four years alone in a house of prayer in a storefront on main street in our local town. We had all the sound system stuff and a drum cage too. There were chairs for anyone who wished to be there, but most of the time we were alone. It fostered intimacy with our Lord. When we left after the building was sold, we had a last set that lasted for hours and started it at 7:20 in the evening. After an obvious finishing song, we looked at the clock facing us and it was 7:20.
There it was, three sung notes that flooded memories and several dreams a few days later. The singer was featured as the closing song of a broadcast from Eagle Brook Church. It was Easter Sunday and I had seen the performance earlier in the week at my job at the Blaine campus.
At the Easter Sunday broadcast I was stunned by the song ‘Because He Lives’ sung at the closing. The woman singing was at a live performance I was at several years earlier. It was held at a new Eagle Brook campus in Downtown Minneapolis, close to Christmas. A Jazzy Christmas.
Eagle Brook church Minneapolis Campus
I was an usher at that time and I requested to pray for the music team and the production crew. I stated by telling them that this concert is the Magna Carta of one of the attending people maybe all of them! Looking upon these teams sitting in the seats in front of the stage I began to do a simple prayer that our Lord would guide them to shine out His glory to those people. Especially the ones that were going to be moved in their spirit for the first time in their lives.
After all, it was billed as Jazzy and that is a draw for a lot of music fans. And it was in the big city. It felt good and right to pray for them. At that time I was on the prayer team at the main campus in Lino lakes. Obviously, I love to pray. Anywhere, anytime Jesus tells me to do so.
At the end of that concert, I went up to the third floor balcony to see if the sound was as good as I expected it to be. I listened through the open door and an usher asked me if I would like to have a seat. I hesitated and he said there was one seat and I went in to see that seat. It was right where I sat before with a perfect view and a young woman scooted over so I sat at the very end of the pew that overlooked the whole room. The sound was magnificent and well done.
I was overcome with tears at one of the last songs as it was the song at another concert years before at a church near our home. (that I was reluctant to attend that night) that instantly sank into me at that time and I was convinced that Jesus created all things and me.Mary did you know is the song. “ Mary did you know those tiny hands flung the stars into the sky?” Yes I knew it was so. I always wondered how the universe came about. The big bang didn’t make sense. The song was spoken by one of the choir members and his face was directly facing me.
I have never been the same since. I understand now that is called a testimonial moment.
There I was at this Jazzy concert, years later, crying and holding my hands as high as I can, worshiping Jesus. The woman sitting next to me offered a Kleenex as she was weeping too. I got up to leave and thought I had caught her in my Pendelton shirt somehow and looked down to my left and she was holding my elbow. She said: “ My Father died on this date last year and I felt he was sitting next to me now” I did not know what to say and smiled and said “thank you!” as I left to help distribute hot cocoa to the crowd that was leaving.
I went down soon afterwards, the cocoa volunteers had everything under control, so I walked down to the stage as the crew was taking things down and I told the singers what had happened. Angie and T, just sat down on the stage, folded up in a way, and I thanked them for doing so well that night.
A few weeks later at the pre-service huddle at Lino Lakes, by Front of house booth I saw T there and again thanked her for her being there at the jazzy concert and singing that beautiful song. She said, “The whole concert was for you and what happened there” I did not know what to say. It was another moment I have never forgotten.
This year when I saw her sing at that simulcast I knew it was her. She had been through a lot of physical medical issues that were shown to us before that last song in a short video. I listened closely.
It was her. Those last three notes of the song she sang were almost similar in pitch and spirit as that concert three years ago. Operatic and powerful. I hardly moved off of my chair when the broadcast was over and the room began to mingle and talk. Chatting was impossible for me. Even afterwards when we all ate a wonderful prime rib dinner prepared by one of the members of that group, Dale, I could not speak. What would I say?
I dreamed about it that night and the next and decided to write this column. It’s a Very personal experience and tenderly unforgettable. One of the most significant things I have been gifted with by Jesus. His gifts are like that often, unexpected, perfect and beautiful.
We’ve all heard it before in some context; “ you’re so emotional!” My response now to that is
asking, What is wrong with that? We are reluctant to endorse or engage with emotion in many situations. Many psychobabble voices tell us to calm down, damp down our emotions and be calm and ‘clear headed’ I am not sure that is appropriate. I get emotional reading a book or listening to Beethoven’s beauty. Weeping with pleasure and letting my emotions release it.
I have recently been trained in helping people to engage with emotions presented by ‘performance’ in worship music. Live performance, seen on a screen. It’s the same way we watch and listen without knowing we do so. Our eyes are drawn to different things as we move through our lives. We watch and are engaged with our surroundings. Constantly scanning the roads for dangers or beauty. Looking at the dash gauges. We don’t just stare straight ahead, we move our heads and eyes to see the world passing by us.
I have been taught that those are the natural movements and as an example: When zooming in on a singer ( it’s called pushing in) we don’t do it fast. Unnatural, it causes a distraction. We change focus as we look near or far and that is controlled as well. We open or close our iris according to dim or bright reflections or light. That’s called shading. The excitement in video production is different angles and being shown changes and solos we miss if looking elsewhere.
There are also many facets to production that are not noticed but essential. Lighting with movement, color, focus and the use of ‘haze’ to show light beams which catch our eye and help us focus where the light is showing us. Sound, very important and very technical for music and speech. To hear everything clearly, the spectrum of frequencies and to not overpower but to enhance experiences. If the sound feedback happens with a loud hum or a singer overpowers other singers, the room full of people instinctively swivel their heads to the place they know this control is. It’s called a sound booth solo and sound booths are called ‘front of house’ (more media lingo)
It’s an art and if well done, not noticeable if done well, to a person watching or in the room during a live production. Movies are complex and a good example of these things too. You don’t even notice the technical camera work and perfect sound and dialogue that conveys a story. The story engages you and emotions below the surface, sometimes with excitement or tears.
What is our story? The real stuff, the romance between us and Christ. God the Father lifts His eternal baton, Jesus intercedes for our failures and the Holy Spirit whispers songs of Faith and love to us.
Emotion is a gift from God. I can only imagine Biblical descriptions that movies try to capture. The parting of the Red sea, burning bushes and the sea of glass mingled with fire. Do those things stir you? I have heard about production, “oh that’s done to get you emotional” Of course not. As the song says, I can only imagine being there and seeing these things. Ask Him when you show up at those Gates of Heaven. I believe He will be delighted to take you there and be one of those in the Cloud of Witness’. I will ask to help with the run through in the Holy Production for you if I get there first. You will be an operator and we can work together with a lot of help from the Producer and Director. Eternal Productions bring you the reality of all life.
Jack gators grace notes 